Alicia Keys: NPR Music Tiny Desk Concert | fine dining 中文

Alicia Keys: NPR Music Tiny Desk Concert


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This performance was recorded on Feb. 12, 2020. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — strippeddown sets, an intimate setting — just a different space.
June 17, 2020 | Abby O’Neill On a brisk February morning, Alicia Keys, full of effervescence, entered NPR through the loading dock wearing a canary yellow faux fur coat. During our ride to the fourth floor, she joked about how she hadn’t been invited to play at the Tiny Desk. That, of course, wasn’t exactly true. We worked on and off for years to make this moment happen, and I can say wholeheartedly that it was worth the wait.
Alicia Keys has an aura that you can sense the second she enters a room, or in my case, an elevator. She radiates compassion and kindness. This spirit is the key to Keys’s songwriting, which is rooted in introspection and mindfulness.
As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, \”Gee, the Tiny Desk is tiny!\” She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: \”Show Me Love,\” a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.
The standout moment during her Tiny Desk was the premiere of \”Gramercy Park\”, a song from her upcoming selftitled album, ALICIA, which is set to be released this fall. It’s one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song’s spiritual refrain is sure to be a singalong moment for the rest of Keys’s career.
She told the crowd after \”Gramercy Park\” that she’s struggled with appeasing people her whole life, but she’s trying harder now to set boundaries. Luckily for the Tiny Desk audience, that resolution didn’t pertain to this concert. After wrapping up what was to be a threesong set with her latest single \”Underdog,\” which you may have seen her perform at this year’s Grammys, the crowd begged for an encore. After crowdsourcing suggestions, she and her band delivered a riveting rendition of Keys’s breakout 2001 single, \”Fallin’.\”
The world, now more than ever, needs more love, reflection and accountability – a mantra that’s woven into every fiber of Alicia Keys’s being and every lyric of her songs.
SET LIST
\”Show Me Love\”
\”Gramercy Park\”
\”Underdog\”
\”Fallin’\”
MUSICIANS
Alicia Keys: vocals, piano; RAII \u0026 Whitney: vocals; Ant Parrish: bass; Curt Chambers: guitar; Mike Reid: drums; Omar Edwards: keys.
CREDITS
Producers: Abby O’Neill, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, Natasha Branch; Videographers: Kara Frame, Maia Stern, Melany Rochester, Shanti Hands; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR

Alicia Keys: NPR Music Tiny Desk Concert

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Mr. Bean in Room 426 | Episode 8 | Mr. Bean Official


Remastered Version Bean treats himself to a weekend in a hotel and seeks competition with his hotel neighbour. After he eats some spoiled oysters, he is confined to a nightmare about them and his neighbour. With his stomach turning, he goes outside of his room to complain to the other neighbour (who is playing very loud music) but is locked out. All in all, all hell breaks loose, ending with a certain someone’s bottom on show…
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Mr. Bean in Room 426 | Episode 8 | Mr. Bean Official

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台灣的Fine Dining極簡之味「蘭」知道 三帽名廚李信男Nobu Lee的法國菜有台灣魂 #專訪 #飲食男女 | 台灣新聞 Taiwan 蘋果新聞網


台灣的Fine Dining(高端餐飲)潮流近年因法國「米其林評鑑」來台更加風風火火,讓潛力無窮的主廚們尤其備受關注,現任「蘭」餐廳主廚的李信男(Nobu Lee)即是其一。挟著身為奧克蘭Clooney餐廳主廚、並以首位亞洲人拿下「紐西蘭三頂高帽」殊榮的聲勢返台擁抱「食力」爆發的台灣市場,Nobu於2019年正式回歸台灣的第一步的確在餐飲圈投下一顆震撼彈!近期疫情嚴峻,「蘭」上月底也加入外帶市場,從限量100份的「戰斧豬排」開賣次日就銷售一空成績看來,Nobu的魅力的確驚人。
曾陸續於美籍名廚Wolfgang Puck於東京開設的Spago餐廳、世紀廚神侯布雄於巴黎的L’Atelier de Joël Robuchon餐廳、澳洲 Vue de Monde與Marque、Clooney等知名餐廳分別歷練並擔任主廚,讓Nobu台日混血、集傳統法國菜訓練與紐澳新派手法於一身的背景,呈現出多元文化融合的獨特樣貌。也因此Nobu的菜色有種看似不羈卻揮灑有度的精準,層疊多不同於2018年時以客座身分回台快閃,當Clooney餐廳老闆決定於2019年10月暫停歇業時,Nobu此時也做出生涯大轉彎的決定,不再戀棧長年在國外打下的根基,於同年約11月時打包回台、接掌獲米其林餐盤推薦的「蘭」餐廳。
https://tw.appledaily.com/supplement/20210603/JMRF4ND2ABAKJFELOU4TIH7SPY/
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台灣的Fine Dining極簡之味「蘭」知道 三帽名廚李信男Nobu Lee的法國菜有台灣魂 #專訪 #飲食男女 | 台灣新聞 Taiwan 蘋果新聞網

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